First, you have to understand the way
the sky over the ocean is unstable,
its grey-greens and its cloud-stopped blues, the leaden
vaulting of a sudden storm. The trouble
caused by all the camper-vans that squat
along the beach-front, like a line of pugs,
is critical, as are the rifted dunes,
the interzone of stones and wrack, the flags
and notices, the blond bucks in their wetsuits.
You have to feel the surge and loss of power
that is incoming surf, the magnet's pull
between things, dog and man, fetcher and thrower.
You need to look through panes of water filmed
with oxygen and light, and hear the hiss
of air in sand. You need to see the beach
at night flecked with the sparks from driftwood bonfires,
and those who stand at blackened windows quietly
reflecting on a life, while farther out
the Atlantic gathers, waiting to explode.
You have to know what you would make of that.
© C.J. Allen 2008 reproduced by permission of the author